press
/JAZZTIMES ARTICLE/
building a community
Jones sees another potential purpose for the Collective: to give back to the community through the school system. “I don’t believe in just playing. We’ve got to teach these kids. And so once we get a large enough book, we want to write a curriculum around the tunes that we play so that we can go in, give them the tunes, show them how to play the tunes, and then when they come sit in, they’re playing all of that. That does a few things. It teaches our students how to play, it creates a scene, and everybody knows the tunes. The audience knows the tunes, the kids know the tunes, the band members know the tunes—it’s for the city. It’s intergenerational, it’s about the community. And it’s exciting. Because that’s what jazz is! It’s community.”
/NPR JAZZ NIGHT IN AMERICA/
A New Bloom Of Jazz In Charm City
/BALTIMORE SUN ARTICLE/
Charm City’s swing renaissance
It might be better known for high-profile dream pop, hip hop and its namesake club music, but make no mistake: Baltimore is a jazz city.
Monuments and buildings remind residents of hometown heroes and genre pioneers Billie Holiday, Cab and Blanche Calloway, Eubie Blake and Chick Webb. The state-designated Black Arts and Entertainment District brings new energy to West Baltimore’s Pennsylvania Avenue, a bustling African-American commercial corridor where Duke Ellington and Louis Armstrong headlined the Royal Theatre during the mid-20th century. The underrated late singer Ethel Ennis, Baltimore’s own “First Lady of Jazz,” opened Ethel’s Place and brought jazz to downtown Baltimore during the 1980s.